Wednesday, 13 February 2019

Oscars 2019: Part I

A Quiet Place



Alfred Hitchcock has long been deemed the 'King of Suspense' and many have tried to topple him from his throne. With so many worthy suiters, who would ever have thought that Jim from The Office would be one of those vying for the crown, but John Krasinski is more than a sitcom goofball. Director, writer, producer, and star - Krasinski takes 90 minutes and makes them unrelenting and unforgiving.

Featuring stunning performances from Krasinski, Blunt, Simmonds, and Jupe - a.k.a. the whole cast - a near immaculate screen-play, and sound-design to die for, A Quiet Place is a breakthrough for a promising young director. Also, it grabs the award for the best opening in years; if you're not gripped by it, then film-watching may not be for you.

Ready Player One






Steven Spielberg, one of history's most defining and versatile directors, is no stranger to the Oscars. He's won a couple, directed a couple of actors to win them, and been nominated for a couple of handfuls more. Whilst his eyes are normally on bigger prizes than Best Visual Effects, Ready Player One is a fun return to family magic for the veteran director. Set in a desolate future where a virtual reality system, Oasis, consumes everyone's times and lives, people (or rather their avatars) compete within the game to find the late creator's keys which open the doors to his enormous fortune.

Jumping in and out of its magnificent digital landscape, Ready Player One is a feast for the eyes. Almost immediately we're in the midst of a chaotic and reckless race; long lingering shots of computer generated mayhem dominate the screen and it is glorious. The narrative, whilst at times is contrived, is timely - grounded in the digital age - and littered with pop culture references. Occasionally this is the film's greatest strength (a particular scene should not be 'Overlooked'), but it may make the film irrelevant in five years time. For now though, it's a treat to be enjoyed today.

Ralph Breaks the Internet



Ralph Breaks the Internet is, to put it generously, a confused follow up to a great original. It doesn’t seem to know who it is appealing to; do the kids care about ebay’s bidding process, for example. It’s jokes about memes or YouTube videos being all about babies and cats are not satirical, but outdated. If there is a commentary about culture’s obsession with the internet, it’s lost amongst the backdrop of corporate identities and Disney’s intellectual properties. The film has no problem being explicit (it’s presentation of Ralph’s insecurities are like being slapped with a wet fish) but it never really approaches its subject matter with any sort of commentary or, more worryingly for a family film, any joy. At two hours in length, it’s overlong, underwhelming, and misguided.


RBG


Telling the story of a great woman does not a great documentary make. A good, if not simple, documentary that tells a great and important story, however, that may do. Supreme Court Justice Ruth Bader Ginsburg, the notorious RBG, is one of the most inspiring women in the United States and her story is one that people should know. That's where RBG comes in. It's a well structured, well presented documentary that fulfils its aims and its supreme subject's bubbling personality and fiery determination make for good watching.


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