On The Airplane - Part 2: Russia Explodes

With four films leading up to this (reviewed here and here), the first being one of the greatest Christmas movies of all time, there will forever be a sceptical frame of mind towards a franchise on its fifth adventure. But can this prove all those cynics wrong? This is A Good Day To Die Hard.

The unlucky, unusual, and downright unfortunate police officer John McClane (Bruce Willis) is on the search for his son, Jack (Jai Courtney), who has just turned up in prison in Moscow. John takes a vacation to see what is up and accidentally interrupts his son's CIA mission. Oops. Whilst trying to get a file from government whistle-blower Yuri Komarov (Sebastian Koch), John slows the CIA down, with good intentions, of course, but causes them to miss their extraction. Having to move to plan B, which also goes sour, the CIA have little choice but to allow John's involvement, but who can the McClane duo trust, and who will turn against them?

You may think this scene is unnecessary...
You would be completely right.

There is no doubt that Willis is still the same Mclane that he has always been, though slightly more chirpy than the fourth instalment. The constant yells of, 'I'm on vacation!', before doing something extremely stupid remind us that, whilst he is still an awesome badass, he is getting old. His son, played by Jai Courtney, brings the youthful spirit into the film, leaping around n slow motion but showing no positivity for his father. Unexplored trauma that no one dares develop much. Really, all of the performances feel a bit forced like there is no passion in anything. The bad guys do not seem to evil, there is no evidence that John has done enough to make Jack hate him, and Willis is simply resorting back to an old recipe that has always worked. It is rare to expect an Oscar worthy performance in a Die Hard film, but at least in the past there has been some notion that all the cast members are trying. Here, everyone seems to have rolled out of bed, read their lines, and gone home.

John was very proud of his son's ninth Doctor cosplay...

Of course, these are not the only issues with the film. One thing that is critically underdeveloped is a small little thing commonly known as the plot. After half an hour of thoroughly enjoyable action packed mayhem, the audience are left with a question: what was it for? The antagonist switches more than a strobe light turns on, and none of them are developed in any shape or form - their motives extremely vague. There is plenty of father and son bonding and lots of things explode but questions are raised and never answered. It is like the creative team thought the only worthwhile thing in Die Hard was the explosive violence and so simply discarded the story this time round. Even the badly received Die Hard 4.0 had a solid story line, even if it was ridiculous. Maybe the franchise should take some advice from the film's title.

The action is fantastic, even if it has no real purpose, but, sadly, the film does not explode off the screen in the same way the cars do. Maybe it is time for McClane to finally retire.

Best Bit? The first half an hour of mayhem. At that point in the film, an explanation simply is not needed. Mindless carnage with some of Willis best lines and some genuinely inventive destruction.

Going Around In Loops

A bit slow on this one, and for that I can only apologise. A film hailed as a modern masterpiece with five star reviews from almost everyone, but is it all it is cracked up to be? A film that, from the simplest description, sounds like the coolest thing around. Just look at the key aspects: time travel, assassins, Joseph Gordon-Levitt, Bruce Willis, telekinesis. Everything seems to scream 'cool.' But it is? this is Looper.

In the year 2074, it is extremely difficult to dispose of a body. Because of this, criminal organisations use an advantage they have in the future, time travel, to zap anyone they need to get rid of back 30 years to be killed by a special type of assassin known as a Looper. One of these Loopers is a man called Joe (Joseph Gordon-Levitt), the youngest Looper that the Boss, Abe (Jeff Daniels), ever hired. But every loop has to be closed. This means that eventually,  a Looper has to assassinate the future version of themselves. When this happens to Joe, he hesitates, leaving his future self to run. Old Joe (Bruce Willis), fixated on the idea of changing his own past and future ('Oh no I've gone cross-eyed') tries to find the man known in future as the 'Rainmaker'; a man who closes loops for no reasons. A man who is only a child in 2044. Trying to fix his error by terminating his future self, Young Joe stumbles across Sara (Emily Blunt) and her son Cid (Pierce Gagnon) who he bonds with but nothing is safe.

Now Joe, what would Freud say?

If Joseph Gordon-Levitt's name hadn't been splashed all over the posters and promos for this film, it would be hard to tell that it was him. With plenty of face make up (we'll get back to that) he was not playing his own character. He had a far more difficult challenge: to play Bruce Willis' character but young. The good news is he does this perfectly. For the most part of the film, it is like watching a young Bruce Willis as Gordon-Levitt completely nails Willis' facial expressions and way of talking, which is not an easy task. Emily Blunt was excellent as Sara, the most touching character in the film and the character who really provided the film with heart. Her performance showed the deep pain that an under-appreciated mother feels as well as the outer strength a single mother has to portray, even when scared or weak. Incredible child acting from Pierce Gognon as Cid, a clearly troubled child but a very smart one. And, of course, Bruce Willis is constantly awesome. He's really understanding that he is not the young action star that he once was but he knows that doesn't mean he is no longer a badass. His roles and the way he performs them are more reflective of his age and because of this, they're a lot better than his other recent films (See Surrogates.)

In the future, most people have the force too.

The make up artist on this film deserves a medal. That's the first technical aspect that needs to be mentioned. Alongside Gordon-Levitt's brilliant acting is the make up that made him look ridiculously like a young Bruce Willis. For that, we should all applaud. Next, the cinematography was subtly outstanding. It captured the world of the future without needing to explicitly point it out at any point. Sure there was no incredible and revolutionary camera work (see The Tree of Life) but it is that implicitness that made the futuristic world more absorbing. What helped with this was the fresh and original writing. While time assassins are nothing new, the idea of the actual assassin not being the time traveller is a whole new perspective on the concept. Admittedly, there are paradoxes galore - focus on them too much and you'll get a good ol' headache - but overall, the writing was incredible. Rian Johnson, who also directed, has done a smashing job.

A fresh and original film, something that we long for in this world of remakes and adaptations. A must see. the sort of film that could become you're new favourite. Unlike a lot of modern science fiction, Looper strives to appeal to action fans, sci-fi fans, and essentially everyone. A really well written, developed, and produced film. And hey, it has funny bits too!

Best Bit? The ending was simply incredible. The last half an hour was moved the movie from extremely good to a modern marvel. Simply fantastic.

Die Hard. Again. And Again. And Again. (Part 2)

Here's the second part of my Die Hard reviews. The first part is here. Five years after the second Die Hard was released, a third installment came out. Then it'd be another 12 years before we'd see anything Die Hard related in the cinemas. How did they keep a franchise going despite the massive gap in time? How did they adjust? Lets have a look, starting with Die Hard: With A Vengeance.

John McClane, (Willis) now almost a full-blown alcoholic, is on suspension from the NYPD. However, when a bomb goes off in a department store and the police are stuck for answers, a mysterious man named Simon (Jeremy Irons/ Graham Greene) phones and asks for McClane. He states that if the police want answers, McClane has to complete the tasks Simon tells him to. Task one: Wearing a rather offensive sign in the rough part of town. Fortunately for McClane, Zeus Carver (Samuel L. Jackson) steps in to protect him from a group of thugs. Not so fortunately for Zeus, this means he is now involved in Simon's games. Simon gets McClane and Zeus to run around town trying to stop bombs that he has rigged. However, Simon is planning a little more than he's letting on.

Both McClane and Zeus were extremely suspicious of the phone.

Despite being an alcoholic, being suspended and having not spoken to his wife, McClane continues to prove how cool he really is. By adopting a slightly more I-don't-care attitude, Willis provides a better performance than his second outing as the character. He brings the same wit and bad ass-ness that he's brought for the first two movies but this time they it comes with a fresh dowsing of pessimism. However, the stand out  performance of the movie comes from Samuel Jackson as Zeus. Continuing Die Hard's theme of having a handy black sidekick is presented with a twist this time around. Zeus is strong willed, sassy and powerful. He's very funny, if not very racist. The antagonists, Jeremy Irons and Graham Greene are superbly dark and smart. Their plots provide more twists than either of the first two movies and they create such a tense atmosphere which makes the film extremely exciting.

The Die Hard science begins to get a little bit out of control in this movie. There's ridiculously high and yet survivable falls, surfing on giant dump trucks, and goons with even worse aim than ever before.  But all of this only helps to make the movie all the more fun to watch. My least favourite aspect of the movie is not the slowly sinking realism but the incredibly annoying choice of music. Throughout dramatic moments of the movie, we are treated to an instrumental version of 'The animals went in two by two hurrah hurrah'. (Technically known as When Johnny Comes Marching Home). Something about it doesn't fit.

Overall, another good movie. Not as good as the first, slightly better than the second. Good fun and definitely worth a watch.

Best Bit? Personally, I have a soft spot for the dump truck chase in an underground system of water tunnels.

And finally we come to the fourth and (currently) the final installment in the series: Die Hard 4.0 (Or Live Free Or Die Hard)

So the plot of the last movie is slightly more nerdy than the others. This time, the terrorists are hackers and they're developing a system that can systematically shut down the entirety of the United States, one bit at a time. McClane (Willis) gets involved after he is sent to bring internet hacker Matt Farrell (Justin Long) to Washington. Soon after he arrives at Matt's apartment though, unknown assailents begin shooting at Matt and McClane. After getting him out safely, McClane turns to Matt to gain some insight from his hacking knowledge and together they plan to bring down mastermind Thomas Gabriel (Timothy Olyphant) and his assistant Mai Linh (Maggie Q). Unfortunately for McClane (and in some ways, fortunate for Farrell), Lucy Gennaro McClane (Mary Elizabeth Winstead), John's daughter, gets caught up the whole ordeal and despite her disliking of her father and his attitudes to things, she relies and trusts in him to stop the terrorists.

Thomas Gabriel never understood the idea of
 going on a date and showing one's guns.

In the twelve years that John was absent from our cinema screens, a lot changed in his life. He lost all his hair, stopped talking to his ex wife and daughters, became a much angrier and older man. Willis continues to develop and adapt the character we've grown to love but still sticks to his roots. The years have aged him, and he shows us that. Also a brilliant performance from Justin Long. Admittedly it's a role that he plays more than any other, the awkward nerdy teenager. But the contrast between Willis and Long is so perfect it makes the movie great fun to watch.

Die Hard science goes to a whole new level in this movie. Death seems to become a thing of the past, or at least all of the characters have developed super strength. Cars are driven into helicopters, people are run over but able to continue fighting and fighter jets will destroy half a city on a very vague order.  However, being a more modern movie, the special effects, camera work, and general appearance of the entire film is a league above the other three movies. Probably the most silly out of all four movies but also one of the easiest to watch. There's lots of action and lots of explosions to keep your eyes busy.

In my personal opinion it's the weakest of the four films but compared to a lot of action films released nowadays, it's still of a better quality. It's fun and it's everything we love from Die Hard, if not a bit more exaggerated and silly.

Best Bit? The fight scene between Mai Linh, John McClane, and Matt Farrell. A whole new level of fight scene with use of cars, elevator shafts and a combination of them both. Or extremely tense tunnel scene when cars are flying all over the place.


A great set of movies. All worth a watch. And don't forget, yippee ki-yay, motherfuckers.

Die Hard. Again. And Again. And Again. (Part 1)

Since I've been gone for a while, and you guys definitely miss me, I thought I'd treat you. Four movie reviews, two post. Why do I suddenly seem drawn to the idea of these four movies? Well I watched them all today, in one sitting, with my totally legit sports team. What do these movies share in common? They all contain two words: Die Hard.

So I'll try to keep these reviews fairly short. Movie one: Die Hard. Officer John McClane (Bruce Willis) leaves New York to spend Christmas with his family in LA. However, soon after arriving at his wife's work, Hans Gruber (Alan Rickman) takes over the building with a group of terrorists and seals off all contact with the outside world. Holding the workers hostage, he plans to steal $640 million stored in the buildings vault. McClane manages to get into maintenance areas of the building and tries to alert the police about the situation. The police, apart from Sgt. Al Powell (Reginald VelJohnson), are useless.

McClane, I bought you a woman for Christmas.

This is Bruce Willis at his very best. He is the epitome of cool. He has the pout, the never ending ammo and the ability to talk coherently with a cigarette perched between his teeth. Action-wise, this movie is outstanding. It is the perfect genre film. If you were introducing someone to action, start here. Something I'll refer to a lot in this post is Die Hard Science. It is essentially the science that exists in the world of Die Hard, but not in reality. For example, one man may be shot in the head and just crumple, another's head may explode. Rickman was also superb. He's such a perfect antagonist. He's creepy but isn't aggressive unless he really needs to be. He's menacing and powerful without being loud or violent. This is perfect for the villain of this movie.

One thing that I particularly love about this movie is the location. A single location, but a massive location. Despite the film only taking place in one building, this is a forty story building; there's more room in a forty story building than in a wood. This allows for the sense of claustrophobia, but still has the ability to create grand scale action. Bombs, tanks and abseiling with a hose pipe. This movie has it all.

A great start to a great franchise. Witty, action packed and plain cool.

Best Bit? There's something extremely touching about the bromantic hug between McClane and Al but the best bit has to go toMcClane using a hose pipe to lower himself down the building.

Movie Two! Die Hard 2, aptly tag lined 'Die Harder.' Often criticised for being a simple rehash of the first one. Well in some ways it is, but more about that in a moment. Firstly, the plot.

John McClane, once again wishing to spend Christmas with his wife, is waiting for her plane at the airport when he notices some suspicious behavior. Upon investigating, he gets shot at, destroys a mans head, and almost gets arrested. The complete lack of help from airport security leads him to turn to his old pal Al Powell (via a new creation called 'a fax machine') who informs him that one of the men that shot at him, was dead according to records. Somethings afoot. Cue evil plan to keep plane's circling until the demands of the terrorists' have been met, despite all aircraft being low on fuel. Oh, they also take over all the planes' computers and communication so that they can crash them at their will. McClane steps into save the day.

Nobody was happier in an ejector seat than John McClane

Once again, Willis proves that he is the coolest man alive. More pouting whilst shooting, more talking with a cigarette, and more throwing metal painting towers over. He even plays chicken with a plane! Once again, he's helped out by a friendly black guy, Leslie Barnes (Art Evans), who is great fun. Exactly what John McClane needs, a wise cracking, good willed, black guy that stands up to his superiors in order to help McClane. And the antagonists of this film are brilliant. I don't just mean the outstanding Col. Stuart (William Sadler), I also mean the not-quite-baddies-but-you-really-want-to-punch-them baddies. This includes Capt. Carmine Lorenzo (Dennis Franz), in charge of airport security who tries to over power McClane at every turn and, reprising his roll as the selfish and ignorant journalist, William Atherton is brilliant as Richard Thornburg.

Like the first movie, the film takes place in primarily one location, the airport. And again, there's that feeling of claustrophobia despite being in a large area. This is a typical sequel. It's bigger and more ridiculous. That Die Hard Science we mentioned earlier plays a huge part in this film. Plane's crash, with no fuel, and yet explode into an unbelievable fireball. The brilliant aiming of the bad guys suddenly disappears when they shoot at McClane. Several planes can fit onto a very small runway despite it being covered completely in snow. This film does require complete suspension of disbelief. That being said, it's still great fun and 100% worth watching, especially with a good crowd of friends.

Extremely similar to the first movie, but not in a bad way (not like Hangover Part II). It's a bit sillier, a lot bigger, and twice as action packed, with twice as many plot twists. Not quite as good either, but still a great, fun movie

Best Bit? The cool as snow (Gettit?) ending. John McClane proves he's a BAMF all over again after fighting on the wing of a plane and then simply using a lighter as a form of attack.