Woodstock is a documentary that follows the festival from its hopeful beginning to the wet, muddy, and worn out end with every naked, tripping, loving moment in between. From building the stage to serious warnings about it collapsing on the festival goers. From the optimism of the fresh faced youngsters turning up for the festivities, to those in the medical tent, searching for the ones they love. There’s joy and there’s sadness. Pain and hope. There’s no real narrative, no dominant message or active voice, just a camera drifting through the peace loving chaos that was Woodstock.
It’s a testament to how narratively gripping life can be when pushed to the extreme; when, in essence, you voluntarily create a third world country within wealthy America for the purpose of celebrating peace and love through music. 400,000 people descend on New York which naturally brings with it health issues, social conflict with surrounding areas, and huge practical obstacles for everyone, from the festival organisers up to the government, to have to cope with and we get to watch selected highlights of these unique dramas. Intersperse this with some performances from legendary musicians, and you have three hours of utterly breathtaking film making.
We talk about capturing the current zeitgeist in good documentaries but none have done it more successfully and, arguably, more powerfully than Woodstock. Woodstock the festival was legendary but fleeting, Woodstock the film: unforgettable.
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