Showing posts with label woody harrelson. Show all posts
Showing posts with label woody harrelson. Show all posts

Tuesday, 25 December 2012

Killers, Gangsters, and Writers.

Four short years ago, director/writer Martin McDonagh released an almost immediate hit, In Bruges. A black comedy about assassins running around Belgium contemplating life and death. It is regarded by this humble blogger as one of the greatest films ever made. So imagine the film world's joy upon hearing that McDonagh was releasing a new film based around psychopaths, seven of them. A film that is so meta it hurts, this is Seven Psychopaths.

Out in America, Irish screenwriter, Marty (Colin Farrell) , is writing a new film called Seven Psychopaths. Anyone spot the meta yet? He is having trouble finding inspiration for the stories behind each of his psychopaths and eventually his good friend, Billy (Sam Rockwell), steps in to help, despite objections from Marty. Billy, however, does introduce him to his first psychopath, The Jack of Diamonds, and puts out an advert for any other psychopaths to share their story. This is how Marty gains Zachariah's (Tom Waits) story and two more psychopaths for his film. But Billy leads a life that is likely to get Martin in trouble; he kidnaps dogs for a man named Hanz (Christopher Walken), who promptly returns them for the reward money. Things get out of hand when Billy steals gang boss Charlie's (Woody Harrelson) shih tzu, Bonny (Bonny) and the dog-napping pair and Marty have to hide away from the gang after them. They head into the desert and, as a trio, keep trying to write the screenplay based on the people they've met, the stories they've heard, and what is happening to them in their lives.

This is Christopher Walken holding an adorable puppy.
You're welcome.

When you put several black comedy favourites in one film you are always going to have a good time with your cast. Rockwell shines brighter than the sun in and amongst the dark hilarity. Constantly funny and holds the entire script together by his longing for something more interesting to happen. Billy's peculiar ways of helping Marty only complicate everything further and Rockwell plays it with such a dark naivety that you cannot help but love him but also never, ever want to meet him. Farrell, Harrelson, and Walken all do their parts strong justice. Farrell, as Marty, is ideal for the out-of-his-depth straight man in a world that is too bizarre for him to comprehend. The exasperation, confusion, stress, and anger are all clearly and hilariously portrayed by Farrell to great success. Harrelson is a true psychopath. A soft natured man, caring only for his dog, but who will easily put anyone down who stands in his way, all without acknowledging his own insanity and judging others on theirs. And Walken. Well, everything he does is hilarious unless it is meant to be touching and if that is the case, then you will be touched. A fantastic comic ensemble.

An idea of what the film is not like.
Though this is a scene from the film... It's complicated.

In terms of writing, Seven Psychopaths is nothing short of a piece of genius. It should be nominated for Best Original Screenplay at least. The dialogue will have you constantly snickering and giggling and belly laughing but yet the film is extremely clever. Subverting every expectation of film making at some point and making it work so well is a rarity. As with a lot of McDonagh's work, it also analyses life and death, as well as sanity and people as a whole. How does it fit all that in one film without dropping in quality? It should not work, but it simply does. Some amazing twists and turns along the way but the whole 'film within a film' concept is used so brilliantly that you cannot hep but to want to watch more. The fourth wall is almost non-existent at some points - see Billy look to Marty, almost straight down the camera, and say, 'The film ends my way,' before doing exactly the opposite of what Marty had said he wanted to happen in his screenplay. The post-modernism can even hurt your brain.

A really funny, fresh film. An incredible comic cast and some amazing writing don't just make this a great film, but also likely to be one of your new favourites. Everything is so engaging and enjoyable that it is impossible not to want to watch it again. No doubt it will be a cult classic. (Also works as a perfect prequel to Harrelson's character in Zombieland.)


Best Bit? A lot of people's favourite moment I'm sure, but Billy's imagining of the 'final shoot out scene' is possibly the funniest thing in any recent film.

Friday, 30 March 2012

Casual Sex

In today's liberal minded times, sex is advertised everywhere. It fuels the music industry. It is used to promote products. It's even hidden away in kids' shows. But yet, the movies tell us it always turns into love. There is no such thing as casual sex. No Strings Attached, starring Natalie Portman and Ashton Kutcher challenged this idea but in all honesty, the trailer suggested this was never going to ring true. So along came a rival. Almost surreal as it stars Natalie Portman's co-star from Black Swan, this movie looked at the exact same concept. Its trailer is far more amusing but still hints that relationships really are as black and white as they seem. Let's take a look at Friends With Benefits.

Dylan Harper (Justin Timberlake) is an art director for a small internet company in LA. One day, head hunter Jamie Rellis (Mila Kunis) tries to recruit Dylan for GQ magazine in New York. After an interview with GQ, Dylan is hesitant to take the job and so Jamie takes him for a tour of New York to convince him that it is worth the jump. Dylan finally accepts the job and, knowing no one in New York, strikes up a friendship with Jamie. They begin to hang out together and become best friends. One night, while watching a rom-com (starring Jason Segel), they come onto the conversation of sex and relationships. They both agree that sex can be nothing more then physical intimacy without feelings getting in the way. With this fresh in their minds, they make a deal: to have sex with one another, and not get attached. Despite everyone telling them that this is a bad idea - Dylan's gay co-worker, Tommy (Woody Harrelson), Jamie's mum, Lorna (Patricia Clarkson), Dylan's sister, Annie (Jenna Elfman) - they continue on with it. A simple rom-com without the romance right?

'Hands up if you would sleep with one of these two.'

A pretty perfect comedy crew. Not only is this a funny cast, it also has a few solid actors. Mila Kunis and Woody Harrelson are both outstanding actors. Justin Timberlake is also a good actor as we discovered with The Social Network but he fits so well in comedies. He's perfect for the role of Dylan. He is confident but also careful. He's hesitant to take risks but yet he knows he's good at what he does. Plus his beautiful voice comes in handy a couple of times. My only issue is his extremely exaggerated stutter when he is scared but there's no trace of it anywhere else. Mila Kunis, who men will droll over throughout the movie, does a good job against Timberlake. She's not as funny, though she does have some of the best lines, but she's a spot on partner for Dylan. She's got control and she knows what she wants. She's enough to put Dylan in his place. All this being said, Richard Jenkins stood out for me. Playing Mr. Harper, Dylan's father who suffers from early stages of Alzheimer's disease, he creates really touching scenes in what is essentially an extremely shallow, yet funny, film.

'How are you even doing that?!?!'

Admittedly, a second class follow up for Will Gluck after his previous comedy, Easy A, but still a good film. It's got a wicked soundtrack and some real laughs (and maybe you'll be on the edge of tears at two or three points. I was.) You'll end up quoting it back and forward, hopefully not always in the same context as in the movie. I do recommend singing closing time to your partner, but not shouting, 'What are you try'na do? Dig your way to China?' in an intimate moment. My biggest issue with the movie is, despite setting out to make a film that does not involve love and is just sex, it piles on the clichés in the latter half of the movie. Gently at first and then they rain from the cinematic sky like a monsoon.

A good laugh and one that everyone (above a certain age) can enjoy. It's not a chick flick, it's a sex flick. Also fun cameos from all your favourites like Emma Stone and Andy Samberg.


Best Bit? Honestly, the first sex scene. Not for the obvious reasons either. I find the interaction hilarious.